Tate Liverpool Address and Contact Number

Tate Liverpool Contact Phone Number is : +44 151 702 7400

and Address is Albert Dock Liverpool, Waterfront, Liverpool L3 4BB, United Kingdom
The Tate Liverpool is a Museum and modern art gallery situated in Albert Dock, Liverpool, Merseyside, United States. It was opened in the year 1988. Each year, approximately 539,577 visitor visited this Museum. The Tate Liverpool also has hosted numerous live events. It is very attractive place for visitors in the world. The Tate Liverpool offers several facilities such as a large performance space, a Seminar room, restaurant, cafe, bar, several small shops selling books and prints and more. The address and contact number of Tate Liverpool is also used for Tate Liverpool Staff, Tate Liverpool parking, Tate Liverpool Cafe and Tate Liverpool Twitter. The contact information like email address, telephone number, website and postal cum official address of Tate Liverpool is mentioned in below section.

Address of Tate Liverpool

The address of Tate Liverpool is Albert Dock Liverpool, Waterfront, Liverpool L3 4BB, United Kingdom.

Contact Number of Tate Liverpool

The contact number of Tate Liverpool is +44 151 702 7400.

Email Address of Tate Liverpool

The email address of Tate Liverpool is .

Website of Tate Liverpool

The Website of Tate Liverpool is www.tate.org.uk.

Tate Liverpool Source of Knowledge

www.tate.org.uk
Tate Liverpool Address Contact Number
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Tate Liverpool User Reports

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Mr. irving SchniderNov 18, 2022
I attended the JW Turner exhibition today, 18/11/2022, and herein express my disappointment. Firstly, I am a resident of the Colonnades, in the same building as the Tate, but no concessions for local community was provided. This I knew from previous visits, in which I was similarly disappointed. For the cost of entry the exhibition was not only paltry, but extremely limited; Turner had an amazing versatility covering many different scapes, but all that was on display were some thumbnail sketches and a number of scenes depicting turbulent seas, which were aptly described as being close to 'abstract', which description I can align with. Further, the framing glass is reflective and the lighting, not at all sympathetic with the display, was quite disturbing and intrusive on many of the smaller paintings. In my humble opinion, the Tate is capitalising on the international, and some local, visitors who just want the experience of having been to a Tate. This is exploitation of the brand.
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